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|  | |  | | | Type & Layout: How Typography and Design Can Get Your Message Across-Or Get in the Way | | | | | SKU:
VIB0962489158 | | In Stock | | Availability:
Usually ships in 1-2 business days | | Only 1 left in stock, order soon! | | | | | | "A surprising and useful book full of information and indispensable to anyone involved in communicating ideas through typographic means".--Milton Glaser, president, Milton Glaser, Inc". TYPE & LAYOUT should be required reading before students are allowed to touch a computer".--Dennis G. Martin, Ph.D., Professor of Communications, Brigham Young University. | | | |
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| | Product Details | | Author: | Colin Wheildon | | Paperback: | 248 pages | | Publisher: | Strathmoor Pr | | Publication Date: | 1995-03 | | Language: | English | | ISBN: | 0962489158 | | Package Length: | 8.78 inches | | Package Width: | 6.05 inches | | Package Height: | 0.93 inches | | Package Weight: | 1.14 pounds | | Average Customer Rating: | based on 11 reviews |
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| | Customer Reviews | Average Customer Review: ( 11 customer reviews )
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Most Helpful Customer Reviews
16 of 17 found the following review helpful:
Good for Advertising, But... Nov 29, 1999
By John Hastings Wheildon is an advertising man who was tired of guessing how typography influenced the effectiveness of print advertising. He did some research to find out, and most of what he found is no surprise. Serif type is easier to comprehend than sans serif. Copy set in all caps is difficult to read. He provides convincing data to back up these assertions - a useful contribution. The overall effect of the book however, gives one pause. Two major complaints: 1.- His results were originally distributed as a research paper, and the paper has been mercilessly padded to fill this book. 2.- The layout and type of the book itself fight his main point - that typography should enhance, not hurt, good communication. For instance, throughout the book paragraphs have both indents and extra spacing. Visually, this makes each paragraph seems like its own separate thought, unconnected to the previous idea. Add to that the varying blank space at the end of the page - is this the end of a chapter? - and you have a book whose layout inhibits communication. Not a good quality for a book entitled "Type & Layout." The examples of advertising in the book show how well his principles apply to that medium, but the layout of the book itself makes one wonder. After reading the whole book (which took about 90 minutes), I felt ripped off.
8 of 8 found the following review helpful:
It will change your life. Dec 01, 2000
By Gerry O'Brien If you are someone who communicates with words and images for a living, you must do two things: 1) buy this book and re-read it every year or so, and 2) never, ever mention this book to a competitor. Wheildon's book gives you an almost unfair advantage. The detailed information on how printing text in color prevents readability and message retention is absolutely required reading.
7 of 7 found the following review helpful:
No other book like it Aug 19, 2000
By Thomas Ahern We all suspect it: designers often trample the message. But you might not know exactly HOW they sabotage the written word. Now you can. Wheildon's book covers the science of readability. This book is the world's best argument-ender, when you're going eyeball-to-eyeball with a recalcitrant designer. Learn here why reverse type reduces comprehension 500%. Learn why headlines should never have periods. Learn how the eye typically moves across a printed page (and how to take advantage of that well-trod path). I recommend this book in every communications seminar I teach -- and the students love it, because it empowers them to JUST SAY NO when a designer comes up with yet another "solution" that buries the message.
3 of 3 found the following review helpful:
Unparalled Research Into Legibility Aug 25, 2004
By B. MOOGK
"Benjamin Moogk"
Wheildon refocuses the question of legibility onto how much the reader remembers. This is retention: the only thing that can be scientifically measured and the one thing that cannot be ignored when serving your clients. Wheildon interprets this information to disprove some typographical rules, but he lays down new rules that are often overly simple. He leaves no room for styling that might support the words or for visual appeal. The book will help you understand how much is lost if you allow style to dominate the copy and it has some penetrating insights into how we read.
1 of 1 found the following review helpful:
Worth Every Little Penny Apr 08, 2009
By Burnt Glass
"A Film Watcher"
After reading which doesn't take long, I converted all the text on one of our websites to the principles and like magic the legibility of our messages grew stronger with every Times Roman letter in black on white with little shades of gray to improve things in Upper and lower case - get my meaning? Design takes a back seat here to getting the message across. Of course this could have been a pamphlet so I am relieved I paid the price I did (marketplace). To all graphic designers who have let their imaginations run away with their work. Please read.
See all 11 customer reviews on Amazon.com
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